|    If your old car steering wheel is oozing fluid or furring  up and your prized collection of dolls is discolouring, then be warned. You  are probably the victim of plastic degradation. Such strange changes - along  with many others - are caused by chemical reactions of plastics and their  additives with impurities or external substance. These problems were little  expected when the materials were first made more than a century ago, and the  widespread growth of plastic degradation has left many mystified.   Early Plastics  The earliest known plastics are over 130 years old, and  until recently museums and private collectors could do little more than watch  as some exhibits made of them cracked, flaked or even turned to liquid.  However, such rampant breakdown of these materials has inspired researchers  to seek out the roots of the problems in the hope of stopping the rot as well  as identifying and protecting other items potentially at risk.   Fourier Transform Infrared Spectroscopy  One of the most potent analytical techniques being  employed to search for chemical clues is Fourier transform infrared (MR)  spectroscopy, which allows researchers to measure accurately the proportions  of chemical groups in the affected plastics and so track the degradation.  Warwick-based company Nicolet Instruments was among the pioneers of FTIR  spectroscopy in the early 1970’s and its technology is now used by both  industry and museum conservators in the battle against plastic breakdown.   FTIR as a Conservation Tool  One of the key conservation experts making use of  Nicolet’s MR technology is Dr Anita Quye, an analytical research chemist with  the National Museums of Scotland (NMS). The NMS first noticed a degradation  problem with plastics in its collections in the early 1990’s when problems  were also beginning to emerge at other museums around the world. Quye  collaborated with Professors Littlejohn and Pethrick at the University of  Strathclyde and together they have attracted funding from the NMS, the  Scottish Conservation Bureau of Historic Scotland and the Engineering and  Physical Sciences Research Council for two postgraduate projects. Initial  work concentrated mainly on the degradation of cellulose nitrate, which was  originally developed to simulate expensive ivory and tortoiseshell.  Degradation is characterised by cracks and crazing on the surface of objects  made out of the plastic. Quye and her students use a Nicolet 510 MR  spectrometer and a NIC-Plan microscope. ‘Although you can get more than one  absorbing species in the IR region, FTIR gives you a good indication of bond  changes in the degrading polymer,’ she says.   Cellulose Nitrate  In the case of cellulose nitrate, their investigations  have revealed that degradation increases in the presence of the sulphates  left behind as a result of the old manufacturing process. In-house doping  experiments have shown that 5mg of sulphate per gram of plastic will cause  degradation. The plan now is to investigate the conditions which trigger  degradation and devise a simple test to show which items are at risk.   Cellulose Acetate  The MR technology is also being used in the second three  year project to study degradation of cellulose acetate, the plastic  originally used in dolls. By artificially ageing new cellulose acetate and  comparing it to samples, the researchers hope to build up quantitative data  on how and why the plastic’s spectrum changes over time. At the moment tests  involve artificial ageing of samples at 35, 50 and 70°C, each at relative  humidities of 12, 55 and 70%. The project has another 18 months to run, but  its results are already being shared with worldwide groups concerned with  plastics degradation, including Quye’s own Historical Plastics Research  Scientists’ Group.   Steering Wheels  Problems are not confined to objects made from very old  plastics such as cellulose nitrate and cellulose acetate - more modern  objects are affected too, and again, MR can help identify the source of the  problem. One case involved the steering wheel from a late 1950s Morris Minor.  ‘It was dripping an orangey fluid which turned out to be plasticiser from the  cellulose di-acetate which the wheel was made of,’ says Quye. A member of the  Riley Club has also contacted her recently after noticing similar problems  with their steering wheels.   A subtly different challenge came in the form of the  steering wheel off a 1920’s tractor. ‘At a distance it looked like fur, but  was really a thick, white, crystalline-like coating,’ says Quye. FTIR  spectroscopy showed that the crystals were in fact triphenyl phosphate.’ This  information merely enhanced the mystery, though. ‘Tri-phenyl phosphate was  used as a fire retardant in rubbers, but it wasn’t introduced until after the  1920’s,’ says Quye. ‘Either this is not the original wheel, or it has been  sprayed with some sort of flame retardant. The prospect of materials being  affected by later chemical treatments is another kettle of fish altogether.’   Plastic Packaging Materials  The plasticisers used in some plastic packaging materials  are another recent source of concern, with paper documents and photographic  negatives all at risk from the damage they can cause. While inert materials  such as polythene and polyester are not a risk, archivers and conservators  often have little or no idea in which plastics their materials have been  stored. Quye uses MR spectroscopy to find out and, if appropriate, offer  advice on alternative packaging strategies. `The fundamental problem is that  we still sometimes have very little idea which polymers are present,’ she  says. ‘People often say ‘plastic is plastic’, but some weep, some crack and  others give off something nasty.’   Summary  Modern plastics manufacturers take a great deal of care to  prevent their products meeting the same fate as those made of older  materials, but Quye still sees major challenges ahead. ‘There are hundreds of  new plastics on the market,’ she says, ‘and although I have only come across  one or two problems so far there are almost certainly going to be more in the  future.’    |